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HXR-NX5E

Sony HXR-NX5E NXCAM Camcorder

Fast forward your creativity with NXCAM

Sony's first professional AVCHD camcorder redefines the performance and features expected of this product class. It records stunning quality 1920 x 1080 images at 24Mbps (50i or 25p), as well as supporting 720/50p and Standard Definition recording. Sony's “G Lens” and Exmor™ technology provide excellent resolution, colour and contrast, as well as exceptional low-light sensitivity.

Operational flexibility is maximised by AVCHD recording onto affordable and readily available consumer memory cards. Using two 32GB cards, the NX5 can record six hours of HD footage which can be further extended by simply swapping cards. Simultaneous HYBRID HD and/or SD recording is supported via a unique, optional 128GB Flash Memory Unit (HXR-FMU128) which offers 11 hours HD recording time at 24Mbps.

The NX5E is the first camcorder of its class to feature a built-in GPS locator, high quality Linear PCM audio recording and new Active SteadyShot stabilisation technology.

All NXCAM Camcorders come supplied with a 2-year PrimeSupport contract which offers unique extra services and benefits such as free helpdesk support for added peace of mind.

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GY-HM100E

JVC GY-HM100E Hand-held HD Camcorder 3 CCD

World’s first tapeless Compact Hand-Held camcorder to record Apple QuickTime™ file format (for Final Cut Pro™) directly to SDHC memory cards.

Compact Hand-Held form factor - weighing only 1.44 kg., the GY-HM100 is the smallest and lightest HD camcorder to offer true 35 Mbps professional performance. Its size and portability open up new possibilities for high-quality HD recording applications, while reducing the strain of hand-held operation. Newly developed progressive 3 CCD provide 1080p digital processor applies 5 advanced noise reduction technologies. A 10x Fujinon lens provides edge-to-edge sharpness, and offers manual or auto focus, zoom and iris.

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GY-HM700E(A)

JVC GY-HM700E(A) HD Camcorder DV out, 14x lens

World’s first professional camcorder that natively records Apple’s QuickTime™ (MOV) file format for Final Cut Pro™.

The GY-HM700 combines JVC's popular compact shoulder form factor with a new level of performance suitable for demanding applications in mainstream production, electronic newsgathering and cinematography. Weighing only 3.5kG including lens, viewfinder, microphone and battery, the GY-HM700 rests comfortably on the right shoulder providing stable, steady shots. Add to that the convenience of solid state recording, the economy of widely available SDHC media, and the world's fastest workflow, and it's easy to see why the GY-HM700 is today's most complete and versatile professional camcorder.The GY-HM700 utilizes three precisely aligned 1/3-inch progressive scan full HD CCDs—one each for red, green and blue primary color. JVC engineers have developed a unique 1/3-inch optical block with Diagonal Offset and a patented exclusive Adaptive Pixel Correlation Technique that produces resolution comparable to cameras with larger image sensors.

JVC Original 35Mbps MPEG2 Encoder
Drawing from its experience in developing rack mount encoders used by major television stations, JVC developed a proprietary codec capable of providing highly efficient compression up to 35 megabits per second, a bitrate that can support full 1920 x 1080 sampling. This results in recorded images of exceptional quality. MPEG2 long GOP is the most widely accepted broadcast standard compression supported by all popular editing systems and broadcast servers. In the HQ mode, the encoder operates with a variable bit rate average of 35Mbps. The SP mode records at a constant bit rate of either 19.7Mbps or 25Mbps to ensure compatibility with a wide range of equipment. Compact Shoulder form factor. New patented 3-CCD optical system provides full HD resolution images. Industry standard bayonet lens mount. New high performance Canon 14:1 lens included: wider angle, higher resolution and minimal chromatic aberration.

Native File Recording
The GY-HM700 incorporates JVC's Native File Recording technology that stores video in the ready-to-edit file format used by Apple's Final Cut Pro™ non-linear editing system. The ".mov" files created in the camera can be easily dragged onto the NLE timeline without conversion or rewrapping, saving time while keeping the recorded material first generation. There is no need to use an intermediate codec.

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Pre-order now and get a special price